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by | Jun 4, 2022

People can’t stop talking about Men — that is, the latest film from director Alex Garland. The trailer suggests that…

by | Jun 2, 2022

My first movie review for The American Spectator appeared in the August 1986 issue and was about a little flick called…

by | May 4, 2022

When she was alive, everybody wanted a piece of her; after her death that didn’t change. Elton John hit No….

by | Apr 26, 2022

Of the many brilliant, hilarious gags in Mel Brooks’ classic The Producers (1967), my favorite is the one where theatrical…

by | Mar 29, 2022

I’m not the first to point out that Hollywood has a “Hillbilly Problem,” namely its unapologetic depiction of “rednecks,” “white…

by | Feb 22, 2022

You don’t have to have seen the 1996 teen flick The Craft (I haven’t) to loathe its 2020 sequel, The…

by | Feb 21, 2022

Real and fictional presidents have graced or disgraced the silver screen for its entire existence, encompassing half the history of…

by | Feb 3, 2022

Until I saw the new documentary The Unmaking of a College: The Story of a Movement, I wasn’t aware of…

by | Dec 15, 2021

When Sex and the City premiered on HBO in 1998, it was packaged as a post-sexual revolution look at four New York…

by | Nov 24, 2021

Thanksgiving, despite being increasingly under fire from the politically correct police, remains a culturally significant holiday, the catalyst for family…

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