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by | Mar 15, 2022

In a few key respects, HBO and Netflix are not alike. One way this is reflected is in how the…

by | Feb 28, 2022

Chinese cultural controllers blocked LeBron James’s shot at cinematic success last summer by refusing to release the NBA star’s $150…

by | Feb 17, 2022

In the middle of the night, Clara (Zoe Kazan), a 30-ish housewife, creeps out of bed, wakes up her two…

by | Feb 14, 2022

I’m writing a screenplay about the Canadian truckers’ Freedom Convoy for a prolific modest-budget producer. The reason I can publicly…

by | Feb 10, 2022

That thundering noise you heard across the United States on the morning of February 8 was the sound of mass…

by | Feb 8, 2022

It is painful to watch an art form die, especially the most popular one in history. Cinema has enthralled more…

by | Jan 27, 2022

“I needed that scratch to awaken me.”  -Tyrone Power in The Mark of Zorro Hooray for Hollywoke. Where once it steered…

by | Jan 25, 2022

Poking around YouTube the other day, I ran across a November 1972 Tonight Show clip on which Truman Capote declared,…

by | Jan 14, 2022

In the popular new Netflix series The Girl from Oslo, Pia (Andrea Berntzen), a Norwegian medical student, is hanging out…

by | Jan 14, 2022

Just as his hero, Orson Welles, is remembered mainly for Citizen Kane, the first of the 16 films he directed,…

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