In this week’s episode of The Spectacle podcast, American Spectator publisher Melissa Mackenzie and contributing editor (and publisher of TheHayride.com and RVIVR.com) Scott McKay talk about how…
Barbie, the much-anticipated, pink-painted summer blockbuster, has generated a broad spectrum of visceral responses from critics and moviegoers since its…
This weekend saw the nationwide debut of possibly the most-anticipated film of the past decade, director Christopher Nolan’s Oppenheimer, a…
It’s a phenomenon as old as human culture itself. Il Paradiso represented a falling-off from Il Purgatorio. Paradise Regained wasn’t…
I think of myself as a reasonably tough guy, allowing for advancing age and decreasing height. I’ve risked my neck…
There’s a new Transformers movie, Transformers: Rise of the Beasts. Although reviewers diverge on the specifics, they generally agree that…
In 1954, Warner Brothers released Dial M for Murder, directed by Alfred Hitchcock and adapted by Frederick Knott from his…
The long-awaited film adaptation of Judy Blume’s Are You There God? It’s Me, Margaret. provides a powerful reminder of the…
Think The Silence of the Lambs mixed with The Exorcist and Primal Fear. Blend and stir in some The Screwtape Letters with modern disbelief. The…
