by | May 3, 2025

Things have been pretty quiet at the box office this year. Leading it this week was the largely unremarked horror film Sinners. Coming in at number two was … Revenge of the Sith? No, your eyes do not deceive you….

by | Apr 25, 2025

I am probably the only twenty-something in the United States who has never played the computer game Minecraft. A sandbox game that allows the player to build tools, buildings, and just about anything that comes to mind using in-world resources,…

by | Apr 19, 2025

Most war films try to help us understand war. Warfare does something else. It dares to admit that it may make no sense at all. Directed by Alex Garland and co-written with former Navy SEAL Ray Mendoza, whose memories form the bedrock…

by | Apr 12, 2025

At this point, Greta Gerwig is widely recognized as a rising star in the film industry — not as an actress, but as a screenwriter and director. Responsible for films like Lady Bird, Little Women (2019), and Barbie, she’s clearly…

by and | Mar 26, 2025

Disney continues to showcase how anything woke goes broke with its newest live-action film, Snow White. (WATCH FOR MORE: The Spectator P.M. Ep. 121: Rachel Zegler Ruined Snow White) Heritage Foundation media fellow Tim Young joins The Spectacle Podcast hosts Melissa Mackenzie and Scott McKay…

by | Mar 24, 2025

Box Office Poison: Hollywood’s Story in a Century of Flops By Tim Robey (Hanover Square Press, 334 pages, $33) No institution in America takes itself as seriously as Hollywood — think George Clooney who hasn’t made a significant film in…

by | Feb 23, 2025

In the mediocre yet fun James Bond film Diamonds Are Forever, series archvillain Ernst Stavro Blofeld auctions a laser weapon to the major superpowers by threatening them with devastation. He’s actually disappointed when Bond (Sean Connery) shows up at his…

by | Feb 9, 2025

The best movie made about Hollywood is The Bad and the Beautiful. Vincente Minnelli’s 1952 classic depicts the passion of brilliant yet amoral producer Jonathan Shields (the great Kirk Douglas) to elevate his films over the refrain by his studio…

by | Jan 29, 2025

Until the other day, I was unfamiliar with the work of Rob Tregenza, a Kansas-born, UCLA-educated filmmaker who has written, directed, and photographed five pictures. Reviewing the first, Talking to Strangers (1988), which was shot in Baltimore, Jonathan Rosenbaum wrote…

by | Jan 19, 2025

In the second act of “Waiting for Godot” Vladimir and Estragon have it out in an insult contest. They go through “moron,” “vermin,” “abortion,” “morpion,” “sewer-rat,” “curate” and “cretin,” before Didi gets leveled by “critic.” The ones passing dramatic judgment…

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