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by | Apr 18, 2024

Here’s a collection of items that wind their way from Hollywood to the real purveyors of make-believe: 1. Alan Ritchson…

by | Apr 7, 2024

I’ve been writing for years about the steep decline of cinema — in fact all art and media — this…

by | Apr 5, 2024

Ghostbusters: Frozen Empire opened in theaters on March 22 and, despite mixed reviews, quickly became that weekend’s box office champ…

by | Mar 12, 2024

If you’d like to see a movie about a saint utterly gutted of religious meaning this Lenten season, piqued by…

by | Mar 1, 2024

Hitchcock’s Blondes: The Unforgettable Women Behind the Legendary Director’s Dark Obsession By Laurence Leamer   (G.P. Putnam’s Sons, 336 pages, $29)…

by | Feb 28, 2024

Cocktails with George and Martha: Movies, Marriage, and the Making of Who’s Afraid of Virginia Woolf? By Philip Gefter (Bloomsbury…

by | Feb 17, 2024

Despite recent claims that the Academy Awards excluded women from coveted categories — claims made by none other than #Hillary…

by | Feb 13, 2024

Fiscally-conscious Argentinian President Javier Milei is in the process of scrapping federal funding for the nation’s National Institute of Cinema…

by | Feb 11, 2024

The dirty secret of Hollywood’s subservience to wokeness is that even the minorities it depicts are sick of it. Any…

by | Jan 26, 2024

The American Spectator’s founder and editor-in-chief, R. Emmett Tyrrell, Jr., suggested that I review for these pages Michael Mann’s latest…

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