Once again, the Bard Summer Music Festival has lived up to its reputation for giving classical music lovers a chance to hear lesser known or underperformed gems of the operatic repertory. This summer it has taken on one of German romantic opera’s most controversial masterpieces—Carl Maria von Weber’s Euryanthe (1823).
In introducing the work to opening night dinner guests, Conductor Leon Botstein characterized it as “the most talked about and studied opera that’s never performed” in the U.S. According to program notes, it hasn’t received a full professional staging in this country since the 1914-15 Metropolitan Opera season. Botstein declined to elaborate why, preferring to let the audience figure it out for themselves, which wasn’t difficult.