The American Spectator

Print Email

Text Size

The Spectacle Blog

The New York Times' own story on Judith Miller's absurd melodrama confirms that the episode, far from rehabilitating the paper after Howell Raines-era debacles, has deepened the paper's slide into self-important nonsense. The episode is a monument to nothingness: it revolves around a story not written, about a crime not committed, involving no source needing protection. It is no wonder Miller's colleagues felt like booing her after she returned to the newsroom.Â