I first developed a taste for Irish whiskey
back in 1978. I was a young foreign correspondent sent to Northern
Ireland to cover the Troubles, the civil conflict that broke out in
the 1960s and ended, for the most part, in 1998. Covering wars was
different back then. Reporters were neutrals. Catholics and
Protestants, Republicans and Loyalists—they all would sit down with
me in Belfast pubs. Even the hard men, even the terrorists—they all
wanted to tell me their stories (and no one tells stories like the
Irish), persuade me of the justice of their cause, let me buy them
a drink, or two, or three. No one seemed to have any desire to cut
my head off. How times change.
I changed, too, of course. For one, I switched from Irish
whiskey to scotch and, truth be told, I became a bit of a scotch
geek. Here’s an indication: I recently went to see
Skyfall, the latest James Bond film, and what I found most
exciting—right up there with the girls, the stunts, the special
effects, and the gratuitous violence—was the cameo role played by
The Macallan.
The first bottle that is seen fleetingly onscreen appears to be
the 18-year-old—exceptionally smooth, not too much heat, a hint of
honey, and a long finish. Later, the villain pours a wee dram of
what is identified as a 50-year-old Macallan. (Fans will get the
joke: Dr. No, the first Bond film, was released in 1962.)
He balances the drink atop the head of his sultry mistress and
attempts to shoot the glass off, William Tell–style. When he
doesn’t manage the trick, Bond expresses distress at the waste of a
good whisky—saying not a word about the waste of a good woman. Who
knew Bond was such a serious single malt aficionado?
But I digress. The point is that I have long wondered why it is
that Americans drink scotch whisky rather than Irish whiskey
(that’s not a typo—the Scots and the Irish spell their spirits
differently). This is especially puzzling considering that the
number of Americans of Irish descent is much greater than the
number claiming Scottish ancestry.
On a recent visit to Ireland, both the south, the Republic of
Ireland, and the north, still part of the United Kingdom, I had the
opportunity to talk—and drink—with people in the whiskey business.
They helped me begin to unravel this historical mystery.
Once upon a time—from 1850 to 1910, to be precise—there was what
is known as the golden age of Irish whiskey. In America and other
corners of the civilized world, Irish whiskey was more prestigious
and more popular than any other spirit. But when World War I
commenced in 1914, German U-boats constrained the trans-Atlantic
trade in whiskey and less essential products. Then, in the early
1920s, the Irish Free State was formed, not without acrimony, and
British companies, in retaliation, stopped importing the spirits of
Erin or distributing them abroad.
There was more. In 1920, the temperance movement achieved its
goal: The U.S. Congress enacted national prohibition. Plenty of
liquor continued to be sold illegally, much of it phony Irish
whiskey produced in the Caribbean, Canada, and Mexico. These
spirits left a bad taste, literally and figuratively, even after
Prohibition’s repeal in 1933.
Perhaps that explains why, as bars started reopening around
America, Joseph P. Kennedy, father of a teenager who would go on to
become the first Irish Catholic president of the United States,
traveled not to Ireland but to Scotland to buy distribution rights
for the whisky being made there.
A few years later, World War II began. American GIs were
deployed to Britain—not to Ireland—where more than a few picked up
the scotch habit.
Over the years since, scotch’s popularity has steadily climbed,
and a growing list of distinctive single malts—whiskies made only
from malted barley at individual distilleries and not blended with
any other spirits—have become the connoisseur’s beverage of
choice.
Indeed, whiskies from Scotland have become so popular that we
routinely refer simply to “scotch”—by contrast, no one speaks of
“irish.” Distilleries in Scotland proliferated, and whisky lovers
even learned to differentiate among the main scotch regions:
Highland, Lowland, Speyside, Campbeltown, Islay, and the islands.
In Ireland, for more than half a century only two distilleries
remained: Midleton in the south and Bushmills in the north. And
they were able to turn out only a limited selection of Irish
whiskies, not all of them worth writing home about.
BUT HERE’S THE BIG NEWS I bring you from the Emerald Isle: A new
golden age of Irish whiskey is beginning. In County Cork, the
Midleton distillery, which also produces Jameson whiskies, has a
$100 million expansion under way. Distillers plan to double
production, confident demand will exceed supply.
Beam, the American whiskey maker, is placing a big bet on an
Irish whiskey boom. A year ago, for $100 million, the company
bought the Cooley distillery in County Louth and the Kilbeggan
distillery on the River Brosna in County Westmeath. The former had
been converted from a potato alcohol plant in 1987. The latter,
established in 1757, was shut down in the 1950s, and then reopened
in 2007 at a cost of $95 million. Master distiller Noel Sweeny says
with pride that it is now being restored “to its former glory.” One
of its pot stills is 185 years old—the oldest working pot still in
the world.
In Northern Ireland, the Bushmills Distillery received a million
visitors in 2012, up 50 percent from the previous year. Half the
bottles produced at Bushmills go to the U.S., the largest and
fastest growing market for Irish whiskey. But Russia, South Africa,
Germany, and France are growth markets as well. “It’s a phenomenal
time for Irish whiskey,” Jameson and Midleton master distiller
Barry Crockett tells me. “Irish whiskey is returning to its
preeminent position.”
How does Irish whiskey differ from Scotch whisky? The
differences are clear—except when they are not. The rules governing
Irish whiskey and scotch are strict and must never be broken—except
when they are. For example, Irish whiskey is distilled three times,
scotch only twice. The extra distillation produces a smoother,
lighter spirit with less heat as it descends the throat. (But
Kilbeggan is double-distilled. And on the Scottish island of Islay,
Ardbeg distills its scotch two and a half times.)
To peat or not to peat? That is the question. Some of the
best-known and most sophisticated single malts of
Scotland—particularly those produced in the Hebrides, off
Scotland’s west coast—burn peat, ancient, partially decayed
heather, moss, seaweed, and other vegetation dug from soggy bogs,
to toast the malted barley prior to fermentation and distillation.
That gives these whiskies—e.g., Laphroaig, Lagavulin, Bowmore,
Talisker, Ardbeg—a characteristic smoky flavor. Irish whiskies, by
contrast, are un-peated. Smokeless fuels are used in the kilns
(Irish for ovens) instead. So there is no smokiness to Irish
whiskies. (But Connemara, distilled at Kilbeggan, is a peated Irish
whiskey.)
Two things to know about single malts: First, because each
single malt is distilled and aged in a single location, it
expresses what French winemakers call terroir, a sense of
place. “Single malts tell you where they come from,” is the way one
master distiller explained it to me. Second, single malts use only
malted barley—barley that has germinated, sprouting roots that are
rich in sugar and starch. Irish whiskies combine malted and
un-malted barley in about a 40 percent to 60 percent ratio. (But
Bushmills produces fine single malt Irish whiskies; Tyrconnell,
distilled at Kilbeggan, is a single malt, as is the peated
Connemara mentioned above.)
There also are blended Irish whiskies—a mix of spirits from
barley, malted or not, and from other grains, such as wheat, corn,
and rye. Similarly, there are blended scotches, both the basic
varieties your father used to order “on the rocks” or with soda
(anyone old enough to remember the “As long as you’re up, get me a
Grant’s” ads?), and a few blends mixed with such great art and
craft that they rival the best single malts. Like those single
malts, they should never be put in contact with ice cubes or
carbonated water. Instead, they are to be sipped neat or, better
yet, with just a few drops of branch water (an expression that
originally meant water taken from a fresh stream but which now
indicates any very pure H2O) to open up the aromas—the
way air opens up a fine wine.
Generally speaking, malt whiskies tend to have more flavor and
character; grain whiskies sacrifice some flavor for smoothness.
Aging whiskies longer means both more intense flavors and
smoothness. The price you pay is the price you pay: The more time
whiskies spend in barrels, the more expensive they will be in
bottles. And remember that whiskey, unlike wine, does not age once
it’s wrapped in glass.
Today, there are four working Irish distilleries—Midleton,
Kilbeggan, Cooley, and Bushmills—turning out a growing number of
premium whiskies. Among my favorites: the 18-year-old Jameson
Limited Reserve, the Connemara peated single malt, Bushmills’ 16-
and 21-year-old single malts, Redbreast, and Kilbeggan’s blended
Irish whiskey.
In 2011, the most recent year for which data are available, 5
million cases (12 bottles per case) of Irish whiskey were sold, 1.7
million of them in the U.S., a 24 percent increase over the
previous year. Are the Scots getting nervous? Probably not: There
are more than 100 distilleries in Scotland turning out an enormous
range of whiskies far too good to shoot off the heads of pretty
girls without remorse. The Scots sell 90 million cases a year and
control 60 percent of the global market in whiskies, compared to
3.5 percent for their colleagues across the Irish Sea. Some
Scottish distilleries run seven days a week and still can’t keep up
with demand. Nevertheless, a little competition from the fighting
Irish may do them good.
And every sip takes me back to Belfast, circa 1978, a time of
anger, strife, and terrorism. But also of long nights in dimly lit
snugs, sipping whiskey, listening and learning about the ideas for
which men will kill and die. Given the way the world’s conflicts
have evolved since, can I be forgiven for remembering those days
with fondness?
Photo: Joris
(Creative Commons 2.0).