The one and only Continuinig Crisis -- Bob Tyrrell's monthly
"ironic amalgamations," as Bill Buckley called them -- is now
available in this new collection lovingly compiled and edited by
Louis Hatchett.
(Page 2 of 2)
Several selections in the collection were signed by Wlady
Pleszczynski or Andrew Ferguson, one of the finest conservative
stylists writing today. But neither quite captures the Tyrrell
voice. Louis Hatchett, in his fine and perceptive introduction to
the collection, also gives it a good shot, and there are no doubt
unseen hands at work in some of the other sections. But the Tyrrell
touch is unique. Apart from style and his leading role as a
conservative smiter of the liberal ungodly, Tyrrell has also played
a practical role in shaping and defining the conservative movement.
During the Reagan ascendancy, it seemed that the civil war, raging
through the ’60s and sputtering through the ’70s, had finally been
won. Conservative ranks had swelled, and Bill Buckley invited
Democrat war-hawks, old Scoop Jackson supporters, former
Trotskyists—all those people we now call neocons—to come on in, the
water’s fine. And in they came, with both feet, bringing their sons
and daughters with them.
If, as James Burnham once described it, National Review
was “Miss [Priscilla] Buckley’s finishing school for young ladies
and gentlemen of conservative persuasion,” TAS became the
literary boot camp for neocon offspring, the place where they first
made their writing debuts. Before the neocon baby boom, there were
splendid writers like George Will, making his bones in TAS
with his “Letter from a Whig.” But most impressive was the
profusion of young neocons, and today the mastheads of the nation’s
most successful conservative publications are stocked with
graduates from Tyrrell’s boot camp—graduates who learned to swim at
TAS and owe Tyrrell a profound debt of gratitude.
Tyrrell, like Frank Meyer, apparently believed it possible to
build a movement by bringing all the strands of conservative
thought and ideology together. And during the Reagan years, the
idea of a conservative fusion seemed to have become reality. Then
came the first Bush pause, followed by the Clinton years and what
seemed to be the unraveling of the conservative coalition. True, in
the mid-’90s the balance briefly tipped back. The elections of 1994
brought a new breed of young congressmen to Washington—the social
and cultural heirs of the 1960s conservative counterrevolution,
spearheaded by publications like The American Spectator
and National Review. They blundered into an ambush
disguised as a budget battle, however, allowing the Clinton
administration to survive.
And in the meantime, the counterculture had taken on a life of
its own, successfully moving from the campus to the White House,
and in the process establishing itself in the bureaucracy, the
agencies of government, and most of the major media. And when
Tyrrell took on the Clintons, head-to-head, there was a massive
counterattack. As he later wrote, “They [the Clintons] were holy
people. They fought the Vietnam War, the imperial presidency,
racism. They could do no wrong.” Tyrrell got the goods on the
Clintons. But the Clintons had the backing of the media stars, many
of them products of the ’60s. And when Tyrrell fired his broadsides
in a TAS exposé, the White House came at Tyrrell with all they had,
unloosing a propaganda barrage which, as James Warren pointed out
in the Chicago Tribune, “seemed to be largely embraced by official
Wash ing ton and its solicitous press corps.”
Since those days, the moving vans have come and gone, but to and
from the White House, not TAS headquarters, carrying “the
Groper,” as Tyrrell affectionately calls Bill Clinton, and his
bride to greener, and in the case of the Groper, much more
lucrative pastures. (And we’re still waiting for the
post-presidential conflict of interest investigations.) The second
Bush pause has come and gone, leaving in its wake a lingering sense
of awe and bafflement, to be succeeded by an administration run by
a strange new figure, who could have been created by a mad
sociologist in a lab at Harvard, and who just may be the beau ideal
of the old counterculture, the embodiment of everything Bettina
Aptheker, Mark Rudd, Bernardine Dohrn, and her consort Bill Ayers
(both of them now holding high positions in the Chicago
educationist establishment) had ever blown up buildings for.
But maybe not. At this writing, especially in his various
pronouncements on defense and foreign policy, the Chosen One sounds
decidedly more like Dick Cheney than, say, Nancy Pelosi, and
there’s an uneasiness rippling through leftist ranks. Could the One
actually become the Other? Unlikely, no doubt. But stay tuned. If
and when it begins to happen, we’ll read about it in Bob Tyrrell’s
Continuing Crisis.
John R. Coyne, Jr. a former White House speech-writer, is co-author with Linda Bridges of Strictly Right: William F. Buckley Jr. and the American Conservative Movement (Wiley).
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Elsewhere in the Republic, the slobberous John R. Coyne, Jr., esteemed purveyor of exorbitant exaltation, kisses the bejeweled ring of our notorious conservative gadfly, RET...
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