The American Spectator

/p> p> Mr. Henry, your article on “Praise Music Flunks” was found to be amusing and sophomoric. Music has changed no doubt, especially when you contrast the 1640s’ music with today’s; however, the Gregorian chants were different from the “Hymns” of 1640. Back up and smell the roses, God looks on the heart. Evidently you don’t give credence to this aspect. Evidently those singing praises to God were not singing to you. br> — Bill Parker br> Honaunau, Hawaii /p>

Coming from a more traditional denominational background, I have to agree for the most part that many of the praise songs are “pop endearment” and you could easily substitute “Christ” or “Lord” (if he is mentioned at all) for any worldly substitute. The biblical truth found in our hymnbooks is truly heartfelt and inspiring. There are however, some great contemporary Christian songs out there that are just as theologically deep as the standard hymns. There aren’t as many yet, but it is a growing market. (I hate to say market in this context.) And I have to add, many of the contemporary worship songs just don’t sound right when sung by a choir rather than a “comb” or praise band.

I see adults, youth, and children engaged in genuine praise and worship with these songs. With many of our youth these songs are personal. Not so much with the standard hymns. We have what is often called a “blended” song service where we have traditional hymns and the more contemporary praise songs. Rather than miss out on part of your church service, you could approach your worship leader/song director/choir director about a more blended approach.

p>From the song “Indescribable by Chris Tomlin”: br> /p> blockquote> em>From the highest of heights to the depths of the sea br> Creation’s revealing Your majesty br> From the colors of fall to the fragrance of Spring