By Philip Klein on 4.28.06 @ 12:07AM
United 93 is being released today.
The terrifying footage of people jumping from the top floors of
the Twin Towers has given Americans a sense of what people were
going through inside the buildings on September 11, and the images
of ash-covered fire fighters and police officers have captured the
heroism of rescue workers at the World Trade Center on that day.
But the horrors aboard the hijacked airplanes, and the heroism
exhibited by the passengers of United Flight 93, were left to the
minds eye. That will all change with the release of the movie
United 93 on Friday.
Having attended Tuesday's world premiere of the film in New
York, which was also attended by about 90 relatives of the victims,
I can attest to the fact that the movie is an emotionally draining
one. Watching the day's events unfold all over again, almost in
real time, resurrected many feelings I had not felt since September
11. And director Paul Greengrass didn't hold back in depicting the
grisly way in which the hijackers stabbed and slashed defenseless
victims and stormed their way into the cockpit.
Some would argue that this is a bad thing. Why go to the movies
to relive one of the most horrific days of our lives? Why do we
need to re-create one of the few events from that day which escaped
the lens of the mass media? It's obvious that what went on inside
the airplanes was awful, why do we need to see it?
But oftentimes memorializing tragic events requires depicting
them in all of their gory details. The United States Holocaust
Memorial Museum shows photos of Jews who underwent medical
experiments and Schindler's List graphically portrayed the
brutality of Nazism. Is this exploitative and unnecessary?
Others may argue that Schindler's List was made about
50 years after the Holocaust, while it has been less than five
years since September 11, which is too soon. But many war films
were released while World War II was still being fought. And though
this is the first feature length dramatic film directly dealing
with 9/11, Americans have already been inundated with entertainment
that implicitly addresses the subject, such as Munich,
V for Vendetta, and one of America's top rated television
shows, 24. Michael Moore exploited the tragedy in
Fahrenheit 9/11. If a shoddy piece of anti-American
propaganda can be released three years after the attacks, why
should a sympathetic portrayal of the heroes of Flight 93 remain
off-limits almost five years later?
Making United 93 relatively soon after the event
contributed to its haunting realism. Many of the air traffic
controllers who were on duty on 9/11 play themselves, as does FAA
national operations manager Ben Sliney. The actors who portrayed
the passengers were able to meet with the families of the actual
passengers to get a better sense of what their loved ones were
like. Had the film been put off by 10 to 20 years (or until critics
deemed it the "appropriate" time) such opportunities would not have
been possible, and the movie would have lost its
verisimilitude.
There are other reasons why releasing the film now could be
beneficial. There is a danger that the further removed Americans
are from September 11, the more complacent the nation will become
about the threat of terrorism. In an April Gallup Poll, only 6
percent of Americans named terrorism as the most important problem
facing the country. United 93 offers a stark reminder of
what we are up against.
One of the most unexpected aspects of the film is that it also
shows the audience how naive and innocent America was before 9/11.
As an air traffic contoller begins to suspect a hijacking, people
are instinctively dismissive, assuming that it can't possibly be
true because there hadn't been one for decades.
The violent reaction of some Muslims to the publication of the
Mohamed cartoons has effectively silenced criticism of Islam in the
Western media, but United 93 doesn't whitewash the role of
Islam in terrorism. In the opening scene, the hijackers pray in
Arabic in their hotel rooms. As they carry out their mission, they
repeatedly invoke the name of Allah.
The film also depicts a time when Americans were united, and
ready to face a common enemy. With the nation now divided between
those who are pro-Iraq War and anti-Iraq War, those who support
Bush and those who hate him, the film helps us remember that we're
all in this together. The story of these ordinary people performing
heroically in such horrifying conditions should serve as an
inspiration to the civilized world as it confronts the monstrous
evil of terrorism.
The 9/11 Commission Report concluded that it was unlikely that
the military would have been able to stop United Flight 93 from
reaching Washington, D.C. if its passengers hadn't caused the plane
to crash. Thus, the quick and courageous actions of these unarmed
civilians likely saved either the Capitol or the White House.
United 93 is a fitting tribute to them, and America is
ready to watch their story.
Philip Klein writes from New York. He can be contacted
through his website www.philipklein.com.
topics:
Trade, Television, Islam, Movies, Military, Iraq