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Breakfast at Tiffany's , Barefoot in the Park etc.); the films of 1969-75 depicted it as nasty and gritty (Midnight Cowboy, French Connection, Taxi Driver). Released in early 1964, LWPS was unusual for its emphasis on gritty and nasty New York and was about five years ahead of time in that. br> -- J. Mack /p> p> "... The Great Escape and The Magnificent Seven don't stand up to adult viewing"? Since when! br> -- Rufus Thompson /p>
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