DEAN DONGED
Re: Jerry Carter's Down
in Carolina:
As a conservative native of Chapel Hill, I have no problem with
chastising UNC and Dean Smith for their liberalism, while agree
that Dean was the best college basketball ever.
Having said that, the following quote from the article is quite definitely incorrect:
"Dean picked both of his successors -- the short-lived but highly successful Bill Guthridge, and the weepy and woeful current coach, former UNC player Matt Doherty."
In fact, Dean Smith has put out a revision to his auto-bio
stating who he wanted to succeed Guthridge and Doherty is not in
the list. In retrospect, Dean can be further applauded for this
foresight.
-- James Smyth
Jerry Carter replies: Mr. Smyth is correct. Dean Smith did not pick the current North Carolina coach. But it wasn't for lack of trying. Dean was very involved in the process of selecting the successor to Bill Guthridge. It was only after a number of Dean's reported picks either turned the job down or pulled themselves from consideration -- from Roy Williams and George Karl to Larry Brown and Eddie Fogler -- that the athletic department offered it to Matt Doherty, an alumnus who played on Dean Smith's 1982 championship team. My apologies for the error, but I think the larger point about Dean Smith's continuing involvement in the Tar Heel program is generally on the mark.
RE: JOYCE
Re: Francis X. Rocca's The
'Times' Gets a Language Upgrade:
The New York Times transformed into James Joyce. By the way, do we
know what dictionary Joyce may have been using when he wrote
Ulysses? An "N minus 7" experiment might be revealing.
-- Jim Tyson
Fairfax, VA
STAMP ACTS
Re: Joseph A. Reyhansky's First
Faces?
The more significant development -- as a slippery slope argument,
after all, this one's pretty lame -- is that the postal services
depicted the faces as they in fact appear on the real-life bodies
they belong to.
The USPS is not above dickering with history -- they made James Dean a nonsmoker. Yet in this case, we see three faces of white male firemen. And we see them despite, or maybe because of, the ruckus that ensued after it was proposed that a statue with a multi-culti staff be erected in NYC.
This is another indication that 9/11 punctured the make-believe
multicultural worldview. And it is nothing but good news.
-- Karl Maher
The new commemorative stamp is not the first one to feature clearly the faces of a living person. I believe that honor goes to Emmet Kelly, the famous clown. He was portrayed in makeup and appeared as a model for a generic clown in a commemorative circus series, but he was instantly recognizable to almost everyone as a real, living person, not as a composite of many clowns.
The image on the new stamp is a copy of the most famous
photograph from the beginning of this war, and of the most poignant
portrayal of the American spirit and its refusal to remain buried
under the rubble. This spirit is what the stamp is celebrating, not
the men in the picture. No other image from that time is both so
recognizable and so defiant. Should the USPS have altered this
image (as with the aborted "multicultural" statue of recent memory)
to conform to the law requiring all *persons* honored to be dead
for 10 years, or should it have waited the (hopefully) long, long
time until all three men were safely buried before issuing such a
stamp?
-- Warren Way
Joseph A. Rehyansky replies to Mr. Way:
I have been collecting U.S. stamps since I was 8 years old -- that's 47 years. To my knowledge only one postage stamp bearing the face of a clown was issued during Emmet Kelly's lifetime (1898 -1979): Scott #1309, issued on May 2, 1966, for the centennial of the birth of John Ringling. A scan of the stamp is attached. If that's Weary Willy I'll eat a can of greasepaint. Even if that is Mr. Kelly under all that make-up, my point still stands: it's not his face that appears on the stamp, it's a clown's. You would have a stronger case if you argued that the profiles on our old Indian head pennies and Buffalo nickels are the faces of real, living people, because several real, living people posed for each.
You also state that "our spirit is what the stamp is celebrating, not the men in the picture." I could not possibly agree more. That is why I believe that if we are to deviate from a 226-year-old practice we should first make the case for doing so rather than have our government act as if it does not know what it is doing (which is what I suspect) or doesn't care. The engravers who did the stamp based on the almost-accidental Joe Rosenthal photograph had an easy job of it. The actual photo does not show the men's faces clearly. Today, however, it would not be difficult to use computer imaging to construct an accurate view of the inspiring scene in the rubble of the World Trade Center that does not show the three faces -- as if the photographer was standing elsewhere. If "the men in the picture" are not that important, why not do so?
Your letter does give me an opportunity to correct one error in my essay. So certain was I of my recollections that I did not check my catalogs or my collection before describing the Apollo 11 stamp. It does not show an astronaut on the moon saluting our flag. It shows him descending the Eagle's ladder and stepping on the lunar surface. It was the 25th anniversary stamp issued on July 20, 1994, that depicted a lunar astronaut saluting our colors. In memory's eye I merged the two. On both stamps, as I pointed out, the astronaut's visor completely obscures his face.